HOW TO TURN ANOTHER
UGLY BACKGLASS INTO A DECENT ONE
by Alan Lewis
Previously I showed how to
reconstruct portions of a SPOOKS and AROUND THE WORLD backglass using water
slide decals. This time I tackle a bigger
project that includes some translucent areas.
The candidate backglass this time is
from a 1955 Gottlieb Southern Belle.
This one is an original backglass that has quite a bit of ink flaked off
or separated from the glass. (NOTE: The
Shay reproduction backglass is not currently available. I either had to live with the damaged
backglass or turn it into another education project. Since I couldn’t stand to look at this backglass
on my machine I made my decision).
Let’s get right to it:

BEFORE AND AFTER
This backglass had a much more
complex graphic area that needed reconstructing and it had backlit scoring
numbers scattered in the graphic area.
1950’s woodrails used backlit numbers for scoring rather than reels. The 10,000 pt. numbers are hidden behind the
graphic, the 100,000 and 1 million pts. are shown directly as graphics.
Not only did the visible graphics
need reconstructing but the hidden 10,000 pt. numbers had to be reconstructed
too. IMPORTANT: MAKE A TRACING OF THE
CORRECT POSITION OF EACH NUMBER SET BEFORE SCRAPING THEM OFF! USE A LARGE SHEET OF TRACING PAPER ALIGNED TO
THE GLASS AND TRACE IN PENCIL AROUND EACH SCORE NUMBER SET. THIS TEMPLATE WILL SHOW YOU WHERE TO PUT THE
REPAIR DECALS.

THE SCORING
NUMBERS ARE VISIBLE HERE. THE 10,000 AND
90,000 ARE THE ONLY ONES LEFT INTACT
I decided to remove all damaged areas
by outlining with a hot knife and scraping with a razor chisel. I found that I had to remove 25% of the
graphic area! Triple Thick coat the
backglass before removing the damage.
The following photo illustrates this:

In addition to reconstructing various
colors and graphic elements and getting all of them to match up in size, I had
to figure out a way to replace 7 of the 9 scoring numbers and still be
translucent.
The basics of how to reconstruct the
graphic areas are shown in my previous backglass project HERE. I
used the same technique here. Briefly it
consists of:
1)
Scan the entire backglass at 300 dpi
and stitch together.
2)
Reconstruct the damaged areas using a
photo editing program such as Adobe Photoshop Elements.
3)
Resize the image so all graphic
elements are identical in size between the glass and a printout
4)
Match colors by printing out color
swatches printed on decal or glossy photo paper.
5)
Print out the areas to cover damage
by printing a MIRROR image on CLEAR water slide decal paper
6)
Spray paint flat white on the decal
graphic to make the new white background
7)
Trim decal to be slightly larger than
the damaged area to allow overlap
8)
Apply decal and position
9)
Paint over decals (except for any
translucent areas) with flat black paint
|
|
SIDE NOTE: I bought this pen
mouse setup (Bamboo Fun) for the graphics touchup. It works great! I highly recommend a good digital pen mouse. |
The two items that are different with
this project versus the previous one are the complex graphics matching and the translucent scoring numbers.
GRAPHICS
MATCHING
For the graphics matching challenge I
learned that once you stitch your scans together you must resize your stitched
image for both width and height separately. You have to disconnect the aspect ratio
relationship in the resizing command in the photo editor. To determine how to resize each you need to
print out a section of the backglass image on plain paper. Find two points on the image that are far
apart and measure the distance. Measure
the backglass between the same points and compare. This will tell you whether you need to increase
or decrease your image size. Divide
original backglass measurement by the print measurement to get the ratio(%) to
resize. Do this for both the width and
height; your resizing ratio will probably be different for each. Once you resize then reprint and compare both
again. Readjust if needed.
Now every decal you print will match
the backglass graphic elements in size.

THE
PROGRESSION FROM DAMAGE TO RECONSTRUCTION

This is the
technique I used to determine where to trim the decals:
|
|
AFTER
THE DECAL IS TEMPORARILY ALIGNED PROPERLY TO THE BACKGLASS IMAGE A LIGHTBOX
IS PUT UNDERNEATH THE BACKGLASS. IT WILL
SHINE THROUGH THE DAMAGED AREA ILLUMINATING THE DAMAGE OUTLINE. DRAW A PENCIL LINE A LITTLE BIT OUTSIDE
THIS AS SHOWN AND TRIM. |
|
|
I
PRINTED OUT LARGE SINGLE DECAL SHEETS TO COVER MORE AREA THAN I NEEDED. AFTER TEMPORARILY ALIGNING THE DECAL IMAGE
TO THE BACKGLASS IMAGE I USED THE LIGHTBOX TO ILLUMINATE ALL THE VARIOUS
AREAS NEEDING RECONSTRUCTION. I CUT
OUT ONLY THE SMALL AREAS NEEDED FOR ACTUAL REPAIR. |

THE FINISHED
RECONSTRUCTION DECALS
THE TRANSLUCENT SCORING NUMBERS
Now that all the graphics are
reconstructed I needed to add the scoring numbers to the rear of the
backglass. Here is the technique I used:
|
|
Make new reversed numbers with a graphics editing
program. I used Microsoft
Publisher. One of the fonts was very
close to the original font. I printed this onto clear laser decal paper
using a monochrome laser printer.
Laser printer blacks are denser than inkjet blacks and the light
masking function is important for these decals. The sheet was sprayed with clear lacquer for
protection. |
|
|
Place the tracing paper template (made before
scraping off the damaged areas) over the backglass to show where the decals
need to go. |
|
|
The new number decals are cut from the sheet and
applied to the correct location per the tracing paper template. Note that the black around each number is already
the light mask for the backlight. |
|
|
After all the decals are completely dry paint flat
black over the white decal areas except where they are transparent. You only have to paint around the outside
of the score numbers since the laser print decal number is already masked
with black. |
|
THE ORIGINAL 10,000 GRAPHIC |
THE NEW DECAL 20,000 GRAPHIC |
|
THE NEW DECAL 80,000 GRAPHIC |
THE ORIGINAL 90,000 GRAPHIC |
CONCLUSION
My goal was
to retain all the original graphics that were still adhered to the glass. I wanted to have as much original good ink as
possible. I ended up with a very presentable
75% original backglass. I think that is
very good since I started with a ugly 75% backglass. After all a Shay reproduction backglass is
really 0% original (but great looking).
This glass now looks very nice on my machine.
I probably
removed a little bit too much graphic area, but once done it is not
reversible. So choose very carefully
your trim path for the hot knife.
The
translucent score numbers came out excellent!
I’m very happy with those. I
can’t believe how good they look.
I did not
do anything to the original translucent 100,000 or million score numbers. There is some damage but not too bad, I can
live with it. I could not live with the
initial damage to the main graphic areas though.
The total
cost was approximately $50. You will
almost certainly use up a full supply of ink plus the decal paper.
My weak
area is always color matching. I have a
hard time fine tuning the colors to match.
I missed a couple by a little bit on this project and I hit a few
perfectly. I did not do a perfect
job. What I have shown is that in the
hands of a person who has good color matching skills this procedure can produce
excellent results.
GO TO MAIN PAGE FOR MORE ADVENTURES
COPYRIGHT 2009 BY ALAN LEWIS